International articles

(última atualização: 20 setembro 2019)


Investigadores integrados:
(período compreendido entre 2009 – 2019)


Abraços, M. Fátima (2014). The Mosaics with Geometric Patterns from the West and the East of the Roman Empire: The Hourglass Pattern and the Significance of the “Le Décor Géometrique de la Mosaïque Romaine I-II”Journal of Mosaic Research, 7, 1-9
Abraços, M. Fátima; Wrench, Licínia (2017). The roman mosaics of Bracara Augusta: re-reading and reinterpretation of decorative motifsJournal of Mosaic Research, 10, 9-26

Balona de Oliveira, Ana (2009), Jam Life into Death: The ‘Cold War’ of the Stereotype and the ‘Ethics of Failure’ in the Art of Barbara Kruger. Third Text, 23 (6), 751-761
______ (2016), Begin Again…Closer…in NYL, Third Text, 30 (1-2), 43-59
______ (2017). Journal of Uncollectable Journeys: Edson Chagas’s ‘Found Not Taken’ Series and Other Works. Nka: Journal of Contemporary African Art, 40, 44-55

Barranha, H.; Caldas, JV; da Silva, RNN (2017). Translating heritage into museums: two architectural strategies inside Lisbon CastleJournal of Cultural Heritage Management and Sustainable Development, 7 (1), 33-47
Barranha, H., Monteiro, RX (2018). What Can and Cannot Be Felt: The Paradox of Affectivity in Post-Internet ArtJournal of Science and Technology of the Arts, 10 (1), 3-14

Curvelo, A. (2018). Exchanging artistic practices and textual narratives: The jesuit painting seminary in Japan (late 16th – early 17th centuries). History of Mathematical Sciences: Portugal and East Asia V – Visual and Textual Representations in Exchanges Between Europe and East Asia 16th – 18th Centuries, pp. 203-220

Duarte, Miguel Mesquita; Marques, Bruno (2016). On a 1947 Rediscovery: Archive, memory and self-inscription in the work of Julião Sarmento, Photographies, 9(3), 251-273
Duarte, Miguel Mesquita (2017). Art as experienceRevista Critica Cultural, 12(1), 161-169
Duarte, Miguel Mesquita; Marques, Bruno (2018). Reinventing the body on the photographic stage: Theatricality, identity, and figural writing in the work of Helena Almeida. Philosophy of Photography, 9(1), 71-94
Duarte, Miguel Mesquita (2018). Reading history through film: cinema, memory, and the persistence of time in Heddy Honigmann’s Forever (2006). Studies in Documentary Film, 12(1), 56-71
______ (2018). (Dis)Figuration of Memory In, Around, and Beyond Gerhard Richter’s ‘Atlas’: Between Photography, Abstraction, and the Mnemonic Construction. RIHA Journal: 0200
______ (2019). Photography and Writting, or The Intimacy of the Image: A Dialogic Encounter between Barthes’s Camera Lucida and Blanchot’s Philosophy of otherness. Photographies 12(3), 283-301

Duran Kremer, Maria (2012). Floral and Geometrical Motives of the Pavement Mosaics in East and West. The Example of the Roman Villa of Abicada. Journal of Mosaic Research, 5, 59-70
______ (2014). East Meets West: The Perspective in Roman Mosaics. Journal of Mosaic Research, 7, 25-34
______ (2017). Geometric Themes in Villae of the Conventus Pacensis. Journal of Mosaic Research, 10, 161-174

Elias, Margarida (2017). The Throne of Maria II. Res Mobilis, 6(7), 68-76

Ferreira, S., Murta, E., Sandu, I. C. A., & Pereira, M. C. (2014). Os púlpitos da Igreja de Nossa Senhora da Pena, em Lisboa: um estudo histórico, estilístico, técnico e material. Conservar Património, (19), 5-20
Ferreira, S., Sandu, I. C. A., Murta, E., Costa Pereira, M. F., Hrdlickova Kuckova, S., Valbi, V., … Grande Candeias, A. E. (2015). A Comparative Multi-technique Investigation on Material Identification of Gilding Layers and the Conservation State of 7 Portuguese Mannerist Altarpieces. International Journal of Conservation Science, 6 (Special Issue), 439-454
Ferreira, S., Sandu, I. C. A., Murta, E., Eusebio, F., Veiga, R., Jorge, L., Muralha, V. S., … (2015). Creating the illusion: The marble and stone-like decoration of the main altarpiece of St. Francis church, in Viseu. International Journal of Conservation Science, 6 (Special Issue), 473-486
Ferreira, Sílvia (2015). Dourar e pintar: a polivalência artística dos mestres douradores de Lisboa na época barroca. Conservar Património, (22), 7-16
______ (2017). A igreja do colégio beneditino de Nossa Senhora da Estrela de Lisboa: génese, destruição e recuperação/reinvenção de um património. Conservar Património, (26), 79-90

Flor, Pedro (2012). An Unknown Portrait of Isabella the Catholic Queen. Archivo Espanol de Arte, 86 (341), 1-14
Flor, P.; Dias, M. I; Prudêncio, M. I; Kasztovszky, Zsolt; Maróti, Boglárka; Harsányi, Ildikó (2017). Nuclear techniques applied to provenance and technological studies of Renaissance majolica roundels from Portuguese museums attributed to della Robbia Italian workshop. Journal of Radioanalytical and Nuclear Chemistry, 312(2), 205-219

Flor, Susana Varela (2015). D. Francisco de Melo Manuel da Câmara (1626-1678): Biografia, património, estatuto social e fidelidades. Analise Social, 50(215), 356-381
______ (2015). Que las riquezas del mundo parecian estar alli cifradas: Catherine of Braganza’s wedding festivities in the context of the Portuguese restoration (1661-1662). Archivo Español de Arte, 88(350), 141-156
______ (2016), Portratis by Feliciano de Almeida (1635-1694) in Cosimo III de’ Medici’s Gallery, RIHA Journal: 0144

Fróis, JP; White, B (2013). Words for Artworks: The Aesthetics of Meaning Making. International Journal of Art & Design Education, 32 (1), 109-125
Fróis, João Pedro; Silva, C. (2014). A research into meaning making strategies in encounters with artworks. Empirical Studies of The Arts, 32(1), 43-73
Fróis, João Pedro (2016). Art Museum Education: Facilitating Gallery Experiences. Curator – The Museum Journal, 59(4), 455-459
______ (2017). Patient artwork created in an asylum: The making of an accidental artist. Arts in Psychotherapy, 55, 19-22

García, Jorge Tomás (2015). Contenido y enseñanza del platonismo en el siglo II. Filosofia Unisinos, 16(3), 212-226
______ (2018). Cultura material y cultura visual de las villae en el ager de Olisipo. Revista de Humanidades (SPAIN), (33), pp. 11-36

Guarda, Israel; Guerreiro, M. R. (2016). Trees and semi-lattices: analysing space configuration of two urban systems in Lisbon regionJournal of Spatial and Organization Dynamics, 4(3), 185-198

Lamoni, Giulia (2015). ‘Seeing Through’: Migration, Home-making and Friendship in Lourdes Castro’s Work of the 1960s and 1970s. Third text, 29(4-5), 266-286

Leal, Joana Cunha (2013). Trapped Bugs, Rotten Fruits and Faked Collages: Amadeo Souza Cardoso’s Troublesome ModernismKonsthistorisk tidskrift, 82(2), 99-114
______ (2014). Signs of “critical regionalism”: on the “decorative-style” in the painting of Amadeo de Souza Cardoso. Arbor, 190(766): a113
______ (2016). An Introduction: Around Southern Modernisms. RIHA Journal: 0131 (special issue)
______ (2018), A Long-Distance Call? Social Space and Corporation Nouvelle’s Places of Production, Visual Resources

Macedo, Rita; Nogueira, A. & Pires, I. (2016). Where contemporary art and contemporary music preservation practices meet: The case of Salt Itinerary. Studies In Conservation, 61(2), 153-159
Macedo, Rita, França de Sá, S., Ferreira, J. L., Matos, A. S. & Ramos, A. M. (2016). A new insight into polyurethane foam deterioration: the use of Raman microscopy for the evaluation of long-term storage conditions. Journal of Raman Spectroscopy, 47(12), 1494-1504
Macedo, R; Montagner, C; Jesus, R; Correia, N; Vilarigues, M; Melo, MJ (2016). Features combination for art authentication studies: brushstroke and materials analysis of Amadeo de Souza-CardosoMultimedia Tools and Applications, 75 (7), 4039-4063
Macedo, Rita, França de Sá, S., Ferreira, J. L., Pombo Cardoso, I. & Ramos, A. M. (2017). Shedding new light on polyurethane degradation: Assessing foams condition in design objects. Polymer Degradation and Stability, 144, 354-365

Maciel, Manuel Justino (2017). From the Concept of Praeparatio Euangelica to the Christianization of Art, Especially in the Choice of Iconographic Subjects of the Roman MosaicJournal of Mosaic Research, 10, 253-258

Madeira, C., Salazar, D., Marçal, H. (2018). Performance art temporalities: relationships between Museum, University, and Theatre. Museum Management and Curatorship, 33 (1), pp. 79-95

Marçal, H., Nogueira, A., Macedo, R. (2018). Materializar o intangível: A documentação da obra “Luís Vaz 73” (1975), de Jorge Peixinho e Ernesto de Sousa. Conservar Patrimonio, (27), pp. 13-22

Marques, Bruno; Duarte, M. M. (2016). Disguised gender and Voyeurism: who looking at who in the experimental cinema of Andy Warhol, Yoko Ono and Julião Sarmento?. Quintana, 15, 183-201
Marques, Bruno; Braz, Ivo André (2019). Julião Sarmento. The Photographic as Perversion, RIHA Journal: 0208

Martins, Susana (2014). Photography as Anti-Museum? Conflicting museological concepts in the work of Joachim Schmid. Photographies  7 (2), 131-148
______ (2015). Failure as Art and Art History as Failure. Third Text – Critical Perspectives on Contemporary Art and Culture, 2, 1-10
______ (2017). Fotografar sem disparar: a sobrevivência da apropriação artística na era do digital. Discursos Fotograficos, 12 (20),  121-121

Oliveira, Leonor de (2017). ‘To Give Fear a Face’: Memory and Fear in Paula Rego’s Early Work. Visual Culture in Britain, 18 (2), 274-291

Ramôa Melo, Joana (2018). Poder gravado na pedra: túmulos de rainhas e nobres do Portugal medieval. Arenal, 25 (2), 323-356
______ (2019). Open Books: Performativity and Mediation in Elite Women’s Effigies at Lisbon Cathedral (14th century). Journal of Medieval Iberian Studies, 29p

Ramos, Paulo Oliveira (2014), The Royal Decree of 1721 and the ephemeral archaeological collection of the Royal Academy of Portuguese HistoryJournal of the History of Collections, 26 (2), 223–227
______ (2015), Sousa Viterbo and the idea of industrial archaelogyIndustrial Archaeology Review, 37 (2), 93-98

Santos, Mariana Pinto dos (2016). On being modern: possibilities of resistance through primitivism and ingenuity in Ernesto de Sousa and Almada NegreirosRIHA Journal: 0137
______ (2017). Painting Comics as a “Permanent Commentary on the State of the Arts”, Konsthistorisk tidskrift/Journal of Art History, 86 (1), 45-66

Trindade, Rui A. A.; Candeias, A.; Coentro, S.; Mirão, J.; Alves, L. C.; Silva, R. M. C., & Muralha, V. S. F. (2014). Hispano- Moresque ceramic tiles from the Monastery of Santa Clara-a-Velha (Coimbra, Portugal). Journal of Archaeological Science, 41, 21-28

Wrench, Licínia (2015). Looking at Two Patterns Inspired in Coffered Ceilings: Some Examples in the Portuguese Roman MosaicsJournal of Mosaic Research, 8, 167-183


(Registos face aos dados nas plataformas DeGóis, Scopus e Web of Science)