Indexing: Scopus, WoS, ERIH PLUS
H-Index: 5
Quartile / Subject categories (2023):
Q4 / Visual Arts and Performing Arts
Articles:
Conceição, M. T. D. (2022). Francisco de Holanda’s drawings and words: on fortification, architectural and urban design. RIHA Journal, (271), 1-35. https://doi.org/10.11588/riha.2022.1.86933
Ferreira, S. (2022). Gold on blue in Philadelphia: Robert C. Smith and the Installation of the ‘Portuguese Chapel’ at the Samuel S. Fleisher Art Memorial. RIHA Journal, (279), 1-22. https://doi.org/10.11588/riha.2022.1.91952
Marques, B., & Braz, I. A. (2019). Juliao Sarmento: The photographic as perversion. RIHA Journal, 2019, 1-21. [0208]. https://doi.org/10.11588/riha.2019.0.69957
Duarte, M. N. M. (2018). (Dis)Figuration of Memory In, Around, and Beyond Gerhard Richter’s Atlas: Between Photography, Abstraction, and the Mnemonic Construction. RIHA Journal, (200), 1-30. [0200]. https://doi.org/10.11588/riha.2018.0.70280
Torras, B. F. (2016). (No) Laughing Matter: Modernism and Xavier Nogues’ Cartoons. RIHA Journal, online. [0134]. https://doi.org/10.11588/riha.2016.1.70201
Bartolo, C. (2016). Damned Words: The Use and Disuse of “Modern” as an Attribute for the Interpretation of Folk Customs in Theatrical Revue Stage and Costume Design at the Turn of the 1930s in Portugal. RIHA Journal. https://doi.org/10.11588/riha.2016.1.70206
Flor, S. (2016). Portraits by Feliciano de Almeida (1635-1694) in Cosimo III de’ Medici’s Gallery. RIHA Journal, 1-37. [144]. https://doi.org/10.11588/riha.2016.0.70196
Santos, M. P. D. (2016). On being modern: possibilities of resistance through primitivism and ingenuity in Ernesto de Sousa and Almada Negreiros. RIHA Journal, online. [0137]. https://doi.org/10.11588/riha.2016.1.70204
