Experimental, Alternative, and Underground Publishing in Post-Dictatorship. A Transnational Landscape (1970s-2020s)
O Instituto de História da Arte publicou o número 21 da Revista de História da Arte, volume temático que explora a publicação experimental, alternativa e underground em contextos pós-ditatoriais desde a década de 1970. Esta edição da RHA reúne cinco artigos científicos, três entrevistas e um ensaio visual, e foi organizado pelas editoras Inés Molina, Juliane Debeusscher e Lola Visglerio-Gómez.
This special issue explores experimental, alternative, and underground publishing in contexts of post-dictatorship since the 1970s, from a transnational and diachronic perspective. As both a historical and political concept, ‘post-dictatorship’ is framed here as a period following the suspension of an authoritarian political and social order, marked by a significant cultural openness and effervescence. We consider post-authoritarian contexts in a broad sense, as those undergoing a rupture from conditions in which civil, political, and existential freedoms are censored. Within these specific coordinates, publishing emerges as a key medium for the expression of this newfound creativity, thanks to its accessibility and ease of circulation, which require minimal technical infrastructure or financial resources. (Editorial)
EDITORIAL
A Slight, Yet Charged Gesture: Publishing in Post-Dictatorship
ARTIGOS
Evangelina Margiolakis: “Argentine Countercultural Magazines in the 1980s: a Reading in Context” | https://doi.org/10.34619/5hfy-jpu2
Paula Guerra: “Countercultural Splinters, Cultural Metamorphoses and Artistic Differences in Post-dictatorship Portugal” | https://doi.org/10.34619/lhj8-r3pq
Márcia Oliveira: “A Memória como Ruína, a Ruína da Memória: (Re)Configurações dos Resquícios de uma Ditadura nos Livros de Artista de Ana Vidigal” | https://doi.org/10.34619/z8gm-xqif
Mela Dávila Freire: “Beyond the Book, but Still Attached: Publishing by Artists in Chile in the 1990s and 2000s” | https://doi.org/10.34619/fzi8-prvj
Marie Boivent: “Post-dictatorship Re-editions in South America: Two Case Studies from Chile and Uruguay (1970s / 2010s-2020s)” | https://doi.org/10.34619/7tci-vgaj
ENSAIO VISUAL
Inés Molina, Juliane Debeusscher, Lola Visglerio-Gómez: “Windows: on Post-Dictatorial Openings, Thresholds, and Opacities” | https://doi.org/10.34619/d2rf-gbfm
ENTREVISTAS
Inés Molina: “Lola Nomdedeu, Clara Beltrán and Uberto Stabile: ‘La imprenta era una plaza’. On Marginal Press in Post-Franco Spain” | https://doi.org/10.34619/sz3y-t1il
María Gómez López, Myriam Dalal: “Bidayat Magazine: to Radical Beginnings, Slow Thought and Collective Action. Interview with Cynthia Kreichati and Jana Traboulsi” | https://doi.org/10.34619/cwlp-vcgy
Juliane Debeusscher, Lola Visglerio-Gómez: “From Souffles to En Toutes Lettres: Moroccan Independent Publishing Across Generations. Interview with Kenza Sefrioui” | https://doi.org/10.34619/wwkx-uzci
A RHA é uma revista de acesso aberto dedicada à história da arte, publicada online duas vezes por ano. A revista publica artigos académicos multidisciplinares e interdisciplinares que abordam e analisam criticamente as condições históricas e contemporâneas da prática e teoria da arte no contexto global. A revista está indexada nas bases ERIH PLUS e DOAJ.
Editor-in-Chief: Petra Šarin
Guest Editors: Inés Molina, Juliane Debeusscher, Lola Visglerio-Gómez
Editorial Board: Ana Carvalho, Begoña Farré Torras, Gaia Giuliani, Luísa Trindade, Paulo Almeida Fernandes, Susana S. Martins
Advisory Board: Alexandra Bounia, Alexandra Curvelo, Fernando Quiles García, François Quiviger, Paula Barreiro-López
Banner: Cover of El Coco, n. 1 (Madrid, April 1977). Demetrio Enrique Brisset’s personal archives.
Imagem da capa: Back cover of Ateneo Libertario Zona Centro [Libertarian Atheneum Downtown Area], n. 1 (Madrid, 1978), detail. CRAI Pavelló de la República — University of Barcelona.